Do We Choose to Believe Things According to Kierkegaard?

This post concerns two types of belief, or faith according to Kierkegaard: ordinary, everyday beliefs and specifically Christian faith. There is only one word in Danish for both types of belief: Tro. 

A journal entry from 1852 exhibits the concept that most scholars have in mind when talking about Kierkegaard’s views on Christian faith.

πιστισ—επιστημμη

So here we have it πιστισ as it is used in good Greek (Plato, Aristotle, etc.) is regarded as signifying something somewhat lower than επιστημμη. πιστισ relates to what is probable. Therefore πιστισ, to produce faith, according the the classics, is the orator’s task.

Christianity now comes and brings up the concept of faith in an entirely different sense, precisely in relation to the paradox (that is, improbability), but then again as signifying the highest certainty [Vished] (see the definitions in Hebrews), consciousness of the eternal, the most passionate certainty that causes a per[son] to sacrifice everything, life itself, for this faith.” (KJN 9, 81.)

The Danish for this passage is:

See der har vi det. πιστις saaledes som det bruges i godt Græsk (Plato, Aristoteles o: s: v:) ansees for at betegne noget langt lavere end επιστημη. πιστις forholder sig nemlig til det Sandsynlige. Derfor er  πιστις at frembring Tro, ogsaa efter Clasikkernes Mening, Talernes Opgave.

Nu kommer Christendommen og bringer Begrebet Tro op, i en ganske anden Forstand, Tro just som forholdende sig til det Paradoxe (altsaa det Usandsynlige) men saa igjen betegnende den høieste Vished (cfr. Definitionen i Hebræerbrevet) Evigheds-Bevidstheden, den meest lidenskabelige Vished, der lader et Msk. offre Alt, Livet med for denne Tro.

It’s important to appreciate Kierkegaard’s observation that the task of the orator, according to classical philosophers, was to “produce” [frembringe, which literally means “to bring forth] faith. That is, faith, or belief in the ordinary sense, is for Kierkegaard, as for classical philosophers, a passion, or an essentially passive thing. It appears to be something that happens to a person, rather than something that person does. Orators “produce” faith. They do not incite their listeners to make decisions that what they are saying is correct, they persuade, or produce belief by making what they are saying appear more probable than alternative views. No rational person, when presented with a multiplicity of views will adopt one that appears less probable to them over one that appears more probable. 

Kierkegaard appears to believe that convictions evolve naturally in people as apparent probability increases. Some people are less credulous than other people, and hence require more persuading, but credulity is arguably the default state of human beings. Kierkegaard was well aware of this. That, I believe, is where the “leap” comes in. People form beliefs based on their perceptions of probability and are generally unaware of the fact that probability is very different from formal certainty. To form beliefs is to go just a little bit beyond the evidence on which they are based, because that evidence (outside mathematics anyway) is always only probabilisitic and probabilities are not proofs in the strict sense. That is, beliefs are underdetermined by the evidence on which they are based.

I described this dynamic in “Kierkegaard on Rationality” where I explain that we appear “compelled” to make judgments based on their perceptions of probability, or improbability “simply by virtue of the kind of creatures we are.” I did speak there about “choosing between” different interpretations of existence, but I believe now that I was wrong. I was less familiar with Kierkegaard’s thought then than I am now (that was actually a paper I wrote in graduate school) and I was making an argument against Alasdair MacIntyre’s claim in After Virtue that “Kierkegaard considered moral commitment to be ‘the expression of a criterionless choice,” or “a choice for which no rational justification can be given” (After Virtue, 38). That is, I was more concerned to refute the idea that there was no rational justification for the movement from one interpretation of existence to another, than I was with the issue of whether that movement was the expression of a choice. 

In fact, Kierkegaard does not describe the movement from an aesthetic interpretation of existence to an ethical one as a choice. What he says there is that the aesthetic view of existence sees suffering as a result of misfortune. The more misfortune, the more suffering. Hence the aesthete who experiences persistent suffering, starts to view the aesthetic interpretation of existence as less plausible than the ethical interpretation because the latter sees suffering as essential to human existence. If an aesthete experiences persistent suffering, asserts Kierkegaard, “he despairs, whereby immediacy ends, and the transition to another understanding of misfortune is made possible, that is, to comprehending suffering, an understanding that does not merely comprehend this or that misfortune, but essentially comprehends suffering” (CUP, 434 emphasis added).

The Danish for this passage is “fortvivler han, hvorved Umiddelbarheden hører op og Overgangen er gjort muligt til en anden Forstaaelse a Ulykken: til at fatte Lidelsen, en Forstaaelse der ikke blot fatter denne eller hiin Ulykke, men væsentligen fatter Lidelse.” (SKS 7, 394.) 

The expression that is translated as “comprehend” is fatte, and this translation is indeed correct. To fatte something means literally “to catch it,” and figuratively to “apprehend,” or “comprehend” (see Ferrall-Repp). Persistent suffering facilitates a more accurate understanding of the true nature of suffering. The sufferer doesn’t chose a better understanding of suffering. That is, they don’t chose an ethical interpretation of existence over an aesthetic one. Their persistent suffering helps them to get a better grasp of suffering, of its place in human existence, and hence of the nature of human existence. It is more like an act of perception than like a choice. 

That said, there is some element of volition here. Kierkegaard says that persistent suffering makes the transition to another understanding of existence possible, not that it forces this understanding on the sufferer.  The suffer can chose to persist in despair, can chose to continue to doubt what now seems increasingly plausible to him. That is, one can refuse to assent to the truth of a perception. That’s a negative expression of volition, though, rather than the positive expression we would generally associate with a choice.

This highlights how unlike the secular existentialists Kierkegaard is. We cannot make meaning out of nothing. There are objective truths about reality.  We cannot chose to believe whatever we want about reality. Reality impresses itself upon us and our choices are limited to either accepting or rejecting these impressions, or to inquiring further into whether they are correct. That is, our impressions concerning the true nature of some particular aspect of reality, do not appear to be free choices, according to Kierkegaard, but something produced in us independently of our will. 

The will does have a role, however, in belief formation, even with respect to objective reality, to the extent that we can decide the extent to which we want to inquire into the truth of a particular proposition. We sometimes have conflicting impressions relative to the probability of the truth of a particular proposition. If the majority of the scientific community subscribes to a particular theory, that will likely give rise to the impression that that theory is correct. On the other hand, if we are personally acquainted with a scientist whom we respect, who argues persuasively (in the loose sense of persuasive) that that theory is incorrect, then we may well be torn concerning whether to accept the theory as true. In instances such as these, which are likely many, we don’t generally decide what to believe, we simply keep looking into the issue until it seems to us that we have identified the view that is most likely correct, and we determine this, when, after some period of investigation, we find ourselves believing one or the other of the two views about which were were originally torn. 

This goes against what I said in Ways of Knowing, where I asserted that Kierkegaard was 

aware that the impression created in the scholar, or scientist, by the direction in which a particular set of data is tending can be so great that we would seem to have little choice but to accept the data as conclusive and he is not, for the most part, concerned to preclude such acceptance. Indeed, he recognizes full well, unlike the Pyrrhonist to whom he is so indebted, that a life without beliefs is impossible. His concern is rather to expose the nature of such acceptance, that it is a choice, no matter how well-founded or reasonable is may appear relative to alternative choices. (Ways of Knowing, 93.)

But again, I believe I was wrong in that I don’t think Kierkegaard was concerned to expose that the acceptance of one view of empirical reality, or one scholarly theory, over another was a choice, but rather that such acceptance was undetermined by the evidence that led to the acceptance. That is, I think he was concerned to point out that we cannot have certainty in any discipline outside of mathematics. Such an appreciation is important, because it highlights that the will does have some role in the search for scholarly and scientific knowledge. But that role, I believe now, is restricted to the decision of whether to continue collecting evidence rather than to accepting or rejecting a particular theory. 

I realize that this is an extremely fine distinction in that that decision is going to be related to how strong has become the impression that one theory is more probably correct than another. But I think it is none-the-less an important distinction because not only does it make sense of the actual language he uses when describing the transition from an aesthetic interpretation of existence to an ethical one, it coheres with the fact that Kierkegaard clearly believed that there was an objective reality that would impinge upon the perceptions, both literal and figurative of the observer, or subject. 

There are passages in Kierkegaard’s works that might appear to go against the view I’m presenting here, such as in the second volume of Either-Or where Judge Wilhelm refers to the subject’s choice of himself (cf., e.g., EO II, 215), but choosing oneself is a very different sort of choice than choosing to believe something.

Kierkegaard does refer to Troens Valg, i.e., “the choice of faith” (KJN 8, 146) when he observes “Holy Scripture demands ‘faith,’” and for precisely this reason there must be inconsistencies, so that there can be a choice of faith, or so that faith becomes a choice.”

That is the only place, however, in the entire Kierkegaard corpus (at least according to the online edition of SKS) where he uses that expression. He uses similar expressions in other places, but always, according to my cursory research, with respect to Christian faith, never (at least according to the online edition of SKS) with respect to any other sort of belief. That is, I did a search on vælge at tro (chose to believe) and on beslutte at tro (or decide to believe) and there were no hits whatever for either phrase in the entirety of the Kierkegaard corpus. 

Before I proceed with my argument, I want to caution against starting with word searches of that sort. I’ve been reading Kierkegaard for more than forty years. I feel that I know how he thinks. That’s a dangerous assumption, of course, but I have so far, anyway, generally been proved right in what I’ve assumed was his position on a particular issue. I don’t do word searches on SKS to learn what Kierkegaard’s views on a particular subject are. I go looking for passages to cite to support what I believe to be his views, and also occasionally, as in this instance, to see if I might be wrong, if there are perhaps passages that suggest Kierkegaard held some view other than the one I’m inclined to attribute to him, or that might appear to suggest this and hence be used by scholars less familiar with Kierkegaard’s thought to support erroneous interpretations of it. 

Word searches on SKS are a dangerous place to start in trying to understand Kierkegaard’s views because the hits will take the searcher to passages in works where the context of the occurrence of the term in question will be crucial to understanding what Kierkegaard is talking about. Kierkegaard uses the term Tro, for example, like he uses so many other terms, in a variety of ways. Sometimes it refers to the faith that is a momentary phenomenon (pun intended), and other times to Christian doctrine, and still other times diachronically to the life of a Christian who strives to continually renew the faith that is experienced in “the moment.” One needs to know the context in which the word, or expression, occurs to understand the meaning it has in that context, to say nothing of in the authorship as a whole.

But back to the issue of this post. One has to chose the believe the truth of Christianity, according to Kierkegaard, precisely because belief in that truth cannot form naturally, as do other beliefs. It is important to appreciate, however, that while this choice is necessary to Christian faith, it is not sufficient. Faith is what Kierkegaard in Philosophical Crumbs, calls “the condition for understanding the truth,” and that is given to the believer by Christ in the believer’s encounter with Christ, or, as he expresses it in Crumbs, with “the god in time.”

Kierkegaard asserts in Crumbs that “the conclusion of belief [Slutning] is not an inference but a decision [Beslutning]” (Crumbs, 150/SKS 4, 283) where he is not obviously talking about Christian faith or belief. The context of this reference, however, is a grasp of becoming as such and this is not an ordinary epistemological activity. Historians are generally concerned with what historical facts were rather than with how they came about. That is, historians are concerned with determining what happened in the past, not whether it happened freely or was the product of deterministic forces.  And becoming is never an issue in the natural sciences because the only “becoming,” in Kierkegaard’s technical sense, that can be attributed to nature is restricted to the moment of its creation. The changes that subsequently characterize nature do not represent becoming in the genuine sense.

“Becoming” appears to be a specifically Christian concept, according to Kierkegaard. What he refers to in Crumbs as the “Socratic” perspective, which he appears, at least there, to consider the only possible alternative to the Christian, makes time unreal. The changes that characterize temporal phenomenal existence from the “Socratic” perspective are like the changes Kierkegaard says characterize nature. They do not involve genuine becoming. So when Kierkegaard is talking about the “conclusion of belief [Tro]” being a decision, he is likely talking specifically, if indirectly, about Christian faith and not about belief in a more generic sense. 

So ordinary beliefs are formed in us more or less independently of our wills. The will can have a role, according to Kierkegaard, but it appears that role is restricted to deciding whether to keep investigating the truth of some candidate for belief or to give in to the impression that the object of the belief is true. What distinguishes Christian faith, or belief, from ordinary faith, or belief, for Kierkegaard, is that it is not the natural product of an impression of the increasing probability that Christianity is true, but an antidote to the anguish of the consciousness of sin, the importance of which increases in proportion to the increase in that anguish. The more desperate the need of the sinner for forgiveness, the greater the attraction of Christianity. But the attraction is not the product of an impression of the increasing probability of the truth of forgiveness. Quite the contrary. The greater the sinner’s anguish, the less credible to him will be the claim that his sins are forgiven. 

That, I would argue, is the true paradox of Christianity. The believer believes against probability, or the impression of probability, in contrast to every other belief, he or she might have, but out of need. That is, the Christian must decide to believe the truth of Christianity in a sense in which they do not actually decide to believe anything else, precisely because the belief will not form naturally in them. That is why, I believe, Kierkegaard argues that “Christianity now comes and brings up the concept of faith in an entirely different sense, precisely in relation to the paradox (that is, improbability).”

Kierkegaard and Danielson on Foreknowledge and Free Will

I’ve been working on a collection of short, short philosophical articles that I hope to publish under the title Flash Philosophy. I conceived the idea of the genre flash philosophy because I am very fortunate to be in a department of English and Philosophy that is home to a number of creative writers who exposed me to the genre of flash fiction. Flash fiction is basically very short short stories, often only a page or two and sometimes even shorter than that. 

Philosophical articles have increased in length over time. Quite a bit has been written about this, actually, including “A Plea for More Short Journal Publications,” “Are journal articles getting too long,” and my own article “Flash Philosophy,” which appeared in Philosophy Now. The problem is that as philosophical articles get longer, they take longer to write. It can take a year or more just to draft a decent philosophical article, and then, of course, even longer than that before it gets into print. Authors are increasingly asked to basically include surveys of all the literature relevant to their argument in any article they submit for publication, even if much of that literature isn’t actually directly relevant to their argument. Not only does that make the drafting of philosophical articles very tedious, it makes the reading of them very tedious. Quite simply, it is bad form. As I explain to my students over and over again, don’t put anything in your argument that you do not absolutely have.

Philosophical articles have not always been so long, however. It turns out that many of the most highly esteemed philosophical journals such as Mind, Thought, and Philosophical Review used to publish very short articles. So I got the idea to put together a collection of some of these articles and to publish it under the title Flash Philosophy. The purpose of the collection is to demonstrate just how short a really good philosophical article can be and hence to resurrect the art of writing such short articles. Short articles are both easier to write than longer ones and easier to read. Despite that the heyday short philosophical articles appears to have been around the middle of the last century, they are uniquely suited to the digital age in that they facilitate a far more rapid development of philosophical discourse than do longer articles. To resurrect the art of writing short philosophical articles would, I believe, go a long way toward  revitalizing the discipline of philosophy.  

I got a grant several years ago to hire one of my former students as a research assistant to help me track down short philosophical articles that we could then put together in this collection. My research assistant, Daniel Wiedinmyer, combed through hundreds of volumes of old journals and produced a list of more than one hundred articles that were five pages or less. Not did that take some time, after he’d found all those articles we had to read through them to see which would be suitable for the collection. Some were obviously going to be too technical for a general readership of the sort we hoped to have. The collection is actually intended for professional philosophers as well as philosophy students and grad students, but if you are working in ethics or the philosophy of religion, some of the more technical articles in epistemology, metaphysics, or the philosophy of language, for example, are going to be hard to process. We wanted articles that made important points and made them very persuasively, but we also wanted them to be easily digestible even for philosophers from other subfields. 

That reading process actually took more than a year. After that, I had to write a preface and an introduction. I got a decent start of both, but then got distracted with other projects, such as the Drexel-Yale conference on George MacDonald that took place last December, and a number of articles on Kierkegaard that I owed to the editors of various books. Fortunately, I’ve recently been able to return to the Flash Philosophy project. I’m working on the introduction now. Basically, I am going through the collection and drafting very short summaries of the articles. That has necessitated rereading them, of course, and while I was doing that, I came across an article that it seemed to me would be of interest to Kierkegaard scholars. 

The articles is “Timelessness, Foreknowledge, and Free Will,” by Dennis Danielson. It appeared in Mind, July., 1977). God’s purported foreknowledge is often used by philosophers to support arguments against free will. Dennis Danielson argues, however, that since God’s knowledge is timeless, God can be said to have foreknowledge, or knowledge of things that have not yet happened, only from the perspective of a temporal agent. This knowledge, Danielson points out, does not in itself entail any limits on human freedom. That is, what temporal agents can claim God foreknew is “unchangeable not because it is or was foreknown but quite simply because it is past. Yet no one,” he continues, “would want to say that the unchangeableness of the past dispenses with free will.”

Does that not ring a bell with those of you who are familiar with the “Interlude” section of Kierkegaard’s Philosophical Crumbs? Kierkegaard argues quite explicitly there that the unchangeableness of the past is not the same thing as necessity and that “knowledge of the past confers no necessity.” Kierkegaard was not speaking there of God’s knowledge, but of our own knowledge of the past. What he says about knowledge being unable to confer necessity because “knowledge has nothing to give” (p. 146) could arguably be extended to God’s knowledge in the way Danielson does and Danielsen and Kierkegaard are in perfect agreement concerning the significance of the unchangeableness of the past.  

One wonders if Danielson ever read Kierkegaard. 

Something on Johannes de silentio

IMG_3634Adam Kirsch’s inexplicable addition of a definite article in front of “Silentio” in his mention of Johannes de silentio, the pseudonym under which Kierkegaard published what is perhaps his most famous work, Fear and Trembling (see the post just before this one), got me thinking again about that pseudonym and how little attention has actually been paid to it.

It is generally presented as a straightforward name, like Constantin Constantius, Johannes Climacus, and Vigilius Haufniensis, the pseudonyms Kierkegaard used for Repetition, Philosophical Crumbs, and The Concept of Anxiety, respectively. It isn’t a name, though, at least the de silentio part isn’t. It’s a description. Kierkegaard’s other pseudonyms use upper-case letters to begin what functions as the surname. Johannes de silentio doesn’t. The pseudonym appears in all caps on the original title page, but only “Johannes” is capitalized at the end of the preface (see the illustration for this article).

Part of the reason scholars have missed this, is that translators have missed it. Alasdair Hannay got it right in his translation for Penguin, but both Princeton translations, the first by Walter Lowrie, done in 1941, and the second by Howard and Edna Hong, done in 1983, get it wrong. Unfortunately, the Princeton translations are the ones that have long been preferred by scholars. The result is that this point about the pseudonym under which Kierkegaard published Fear and Trembling has gone unnoticed.

Johannes de silentio is typically taken, as Kirsch does in his review, to mean John of Silence, or John who cannot speak. Since, however, the “de silentio” is clearly a description rather than a surname, Johannes di silentio could be interpreted to mean John from silence, which is to say, not John who is silent, but John who is attempting to break a silence, John who is attempting to explain what is perhaps inexplicable: the situation of Abraham.

Hannay actually discusses this in the introduction to his translation of Fear and Trembling. We notice, he writes

that Kierkegaard has given his author the name ‘Johannes de silentio’, which is allegedly borrowed from one of the Grimms’ fairy-tales, ‘The Faithful Servant’. Kierkegaard’s John of Silence is not, however, at all a silent person. If he was he wouldn’t be an author. Nor was the faithful servant in the fairy-tale. He told his master, the young king, of three dangers threatening him, though realizing that in doing so he would be turned to stone. (To anticipate a further connection with Fear and Trembling, when the royal couple later got two sons they gave the lives of these in sacrifice in order to bring Johannes back to life, whereupon Johannes brought the children back to life.) (p. 10.)

Hannay was right. Johannes, the putative author of Fear and Trembling, is far from silent. Like his German counterpart, he warns of three dangers. Kierkegaard’s Johannes arguably attempts, through his description of the situation of Abraham, to warn his readers of three dangers presented in the form of questions that comprise the three Problemata of the work.

The connection between the fairy tale and the subject of Fear and Trembling is even closer, however, than Hannay suggests. The royal couple didn’t volunteer the lives of their sons in order to bring their faithful servant back to life. After faithful Johannes was turned to stone, the king, realizing what had happened, was so grief stricken that he took the stone statue of Johannes and placed it beside his bed.

Once when the queen was at church, the story reads

and the two children were sitting beside their father and playing, he again looked sadly at the stone statue and said, “Oh, if only I could bring you back to life again, my most faithful Johannes,”

Then the stone began to speak and said, “You can bring me back to life again if you will in return give up what is dearest to you.”

The king cried, “For you I will give up everything I have in the world.”

“The stone continued, “If you will cut off the heads of your two children with your own hand, then sprinkle their blood on me, I shall be restored to life.”

The King was horrified when he heard that he would have to kill his own dearest children, but he thought of faithful Johannes’s great loyalty and how he had died for him, then drew his sword and with his own hand cut off the children’s heads. And when he had smeared the stone with their blood, it returned to life, and faithful Johannes stood before him again, healthy and well.

He said to the king, “Your faith [Treue] shall not go unrewarded,” then taking the children’s heads, he put them on again, then rubbed the wounds with their blood, at which they became immediately whole again, and jumped about and went on playing as if nothing had happened.

Kierkegaard was a lover of fairy tales and among his many collections of fairy tales was the second edition of Grimms’ Kinder- und Hausmärchen, where the story in question, “Der treue Johannes,” or “Faithful Johannes,” appears as number no. 6.

Kierkegaard was likely taken by the title “Faithful Johannes” (my emphasis), as well as by the strength of the parallel with the Abraham story.

In fact, the fairy tale puts a decidedly Christian slant on the story because in “Faithful Johannes” not only is the king is required to sacrifice the lives of his children if he wishes to rescue Johannes, the king does this because Johannes “had died for him” (für ihn gestorben war).

Perhaps the silence that Johannes, the author of Fear and Trembling, is attempting, in a somewhat cryptic way, to break is the silence concerning Kierkegaard’s severing of his engagement with Regine Olsen. That is, perhaps he is attempting to communicate, not merely to his former fiancée, but to all of literate Copenhagen, the reasons behind what many viewed as his callous and unprovoked violation of social convention, not to mention of an innocent young woman’s trust.

This is not the first time, of course, that such an explanation has been offered for Fear and Trembling. I think it may be the first time, however, that the parallel to the Grimms’ fairy tale has been explored in depth and that the decidedly Christian slant the story places on the requirement of filicide as a demonstration of faith has been exposed.